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				IMSS - V.6. Harmonic and programmed motion</title>
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<td align="center"><img src="http://vitruvio.imss.fi.it/foto/mdl/V_6rs.jpg" name="ingrandimento" alt="V.6" border="1" class="leoimggalleria"></td>
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<td width="240" colspan="3" align="left"><span><span id="Filmato"></span></span><br><span class="leotitoloimmag"><span id="testoTitolo">V.6</span></span><span class="leodidascalia"><span id="testoDida"><br>Gears for clock mechanisms, Madrid Ms. I, I 27v</span></span></td>
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<td><span class="parent-liv1">[</span><span class="numeri-liv2">V.6</span>  <span class="titolo-liv2">Harmonic and programmed motion</span><span class="parent-liv1">]</span></td>
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<p><campo tipocampo="T" nome="txtxml" style=""><div class="Section1" xmlns:w="http://schemas.microsoft.com/office/word/2003/wordml" xmlns:o="urn:schemas-microsoft-com:office:office" xmlns:v="urn:schemas-microsoft-com:vml" xmlns:WX="http://schemas.microsoft.com/office/word/2003/auxHint" xmlns:aml="http://schemas.microsoft.com/aml/2001/core" xmlns:w10="urn:schemas-microsoft-com:office:word">
<p class="Normal-P" style="text-align:justify;text-justify:inter-ideograph;"><span class="Normal-H">In the actions of the human body, in the motion of water waves and in other natural phenomena, Leonardo saw a law of harmony at work: each individual movement is combined with all of the others in orderly manner to form a harmonious ensemble. This harmony emerges not only in his works of art but also in his studies of mechanical contrivances. In fact, Leonardo deems harmonic the motions that take place in an orderly kinematic sequence, such as those of automatons.</span></p>
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<pre><img src="images/spacer.gif" alt="0" width="47" height="60" align="absmiddle"><img src="http://vitruvio.imss.fi.it/foto/mdl/V_6r.gif" alt="V.6" name="img00" hspace="2" align="absmiddle" onclick="cambiaImg(0,'http://vitruvio.imss.fi.it/foto/mdl/V_6rs.jpg', aggiustaApici('Gears for clock mechanisms, Madrid Ms. I, I 27v'), aggiustaApici('V.6'), '')" style="cursor:pointer; border-color:#98907d" onmouseover="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6r.gif', true)" onmouseout="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6r.gif', false)" border="1"><script>
				totIcone++;
				pathImm["img"+totIcone] = 'http://vitruvio.imss.fi.it/foto/mdl/V_6rs.jpg';
				didascalie[totIcone]='Gears for clock mechanisms, Madrid Ms. I, I 27v';
				titolo[totIcone]='V.6';
				chiaveImm[totIcone]='13864';
				filmato[totIcone]='';
			</script></pre>
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<pre><img src="images/a.gif" alt="a" width="47" height="60" align="absmiddle"><img src="http://vitruvio.imss.fi.it/foto/mdl/V_6_a_apice1r.gif" alt="V.6.a1" name="img0a" hspace="2" align="absmiddle" onclick="cambiaImg(0,'http://vitruvio.imss.fi.it/foto/mdl/V_6_a_apice1rs.jpg', aggiustaApici('Leonardo da Vinci, Ms. A, 61r<br/>Diagram representing the harmonic motions of sound waves and, by analogy, those of waves in water.'), aggiustaApici('V.6.a1'), '')" style="cursor:pointer; border-color:#98907d" onmouseover="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6_a_apice1r.gif', true)" onmouseout="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6_a_apice1r.gif', false)" border="1"><script>
				totIcone++;
				pathImm["img"+totIcone] = 'http://vitruvio.imss.fi.it/foto/mdl/V_6_a_apice1rs.jpg';
				didascalie[totIcone]='Leonardo da Vinci, Ms. A, 61r<br/>Diagram representing the harmonic motions of sound waves and, by analogy, those of waves in water.';
				titolo[totIcone]='V.6.a1';
				chiaveImm[totIcone]='13865';
				filmato[totIcone]='';
			</script><img src="http://vitruvio.imss.fi.it/foto/mdl/V_6_a_apice2r.gif" alt="V.6.a2" name="img1a" hspace="2" align="absmiddle" onclick="cambiaImg(1,'http://vitruvio.imss.fi.it/foto/mdl/V_6_a_apice2rs.jpg', aggiustaApici('Harmonic diffusion of waves in water<br/>Video animation after Leonardo da Vinci, Ms. A, 61r<br/>Stella Battaglia and Gianni Miglietta, Florence<br/>Two drops falling into a calm pool of water generate two sets of circular waves that, in expanding, interweave with one another while remaining intact. They thus form a harmonic ensemble.'), aggiustaApici('V.6.a2'), '14066')" style="cursor:pointer; border-color:#98907d" onmouseover="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6_a_apice2r.gif', true)" onmouseout="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6_a_apice2r.gif', false)" border="1"><script>
				totIcone++;
				pathImm["img"+totIcone] = 'http://vitruvio.imss.fi.it/foto/mdl/V_6_a_apice2rs.jpg';
				didascalie[totIcone]='Harmonic diffusion of waves in water<br/>Video animation after Leonardo da Vinci, Ms. A, 61r<br/>Stella Battaglia and Gianni Miglietta, Florence<br/>Two drops falling into a calm pool of water generate two sets of circular waves that, in expanding, interweave with one another while remaining intact. They thus form a harmonic ensemble.';
				titolo[totIcone]='V.6.a2';
				chiaveImm[totIcone]='13871';
				filmato[totIcone]='14066';
			</script></pre>
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<pre><img src="images/b.gif" alt="b" width="47" height="60" align="absmiddle"><img src="http://vitruvio.imss.fi.it/foto/mdl/V_6_br.gif" alt="V.6.b" name="img0b" hspace="2" align="absmiddle" onclick="cambiaImg(0,'http://vitruvio.imss.fi.it/foto/mdl/V_6_brs.jpg', aggiustaApici('Leonardo da Vinci, Codex Leicester, 14v<br/>Interwoven patterns of waves in water.'), aggiustaApici('V.6.b'), '')" style="cursor:pointer; border-color:#98907d" onmouseover="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6_br.gif', true)" onmouseout="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6_br.gif', false)" border="1"><script>
				totIcone++;
				pathImm["img"+totIcone] = 'http://vitruvio.imss.fi.it/foto/mdl/V_6_brs.jpg';
				didascalie[totIcone]='Leonardo da Vinci, Codex Leicester, 14v<br/>Interwoven patterns of waves in water.';
				titolo[totIcone]='V.6.b';
				chiaveImm[totIcone]='13883';
				filmato[totIcone]='';
			</script></pre>
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<pre><img src="images/c.gif" alt="c" width="47" height="60" align="absmiddle"><img src="http://vitruvio.imss.fi.it/foto/mdl/V_6_cr.gif" alt="V.6.c" name="img0c" hspace="2" align="absmiddle" onclick="cambiaImg(0,'http://vitruvio.imss.fi.it/foto/mdl/V_6_crs.jpg', aggiustaApici('Leonardo da Vinci, Madrid Ms. II, 126r<br/>Motion of waves.<br/>Leonardo studied the interweaving between incident waves and those reflected on the shore.'), aggiustaApici('V.6.c'), '')" style="cursor:pointer; border-color:#98907d" onmouseover="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6_cr.gif', true)" onmouseout="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6_cr.gif', false)" border="1"><script>
				totIcone++;
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				didascalie[totIcone]='Leonardo da Vinci, Madrid Ms. II, 126r<br/>Motion of waves.<br/>Leonardo studied the interweaving between incident waves and those reflected on the shore.';
				titolo[totIcone]='V.6.c';
				chiaveImm[totIcone]='13884';
				filmato[totIcone]='';
			</script></pre>
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<pre><img src="images/d.gif" alt="d" width="47" height="60" align="absmiddle"><img src="http://vitruvio.imss.fi.it/foto/mdl/V_6_d_apice1r.gif" alt="V.6.d1" name="img0d" hspace="2" align="absmiddle" onclick="cambiaImg(0,'http://vitruvio.imss.fi.it/foto/mdl/V_6_d_apice1rs.jpg', aggiustaApici('Leonardo da Vinci, <i>The Virgin and Child with St. Anne and St. John the Baptist</i><br/>(Burlington House Cartoon), National Gallery, London, inv. no. 6337'), aggiustaApici('V.6.d1'), '')" style="cursor:pointer; border-color:#98907d" onmouseover="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6_d_apice1r.gif', true)" onmouseout="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6_d_apice1r.gif', false)" border="1"><script>
				totIcone++;
				pathImm["img"+totIcone] = 'http://vitruvio.imss.fi.it/foto/mdl/V_6_d_apice1rs.jpg';
				didascalie[totIcone]='Leonardo da Vinci, <i>The Virgin and Child with St. Anne and St. John the Baptist</i><br/>(Burlington House Cartoon), National Gallery, London, inv. no. 6337';
				titolo[totIcone]='V.6.d1';
				chiaveImm[totIcone]='13885';
				filmato[totIcone]='';
			</script><img src="http://vitruvio.imss.fi.it/foto/mdl/V_6_d_apice2r.gif" alt="V.6.d2" name="img1d" hspace="2" align="absmiddle" onclick="cambiaImg(1,'http://vitruvio.imss.fi.it/foto/mdl/V_6_d_apice2rs.jpg', aggiustaApici('Harmonic actions<br/>Video animation after Leonardo da Vinci, <i>The Virgin and Child with St. Anne and St. John the Baptist</i><br/>IMSS multimedia laboratory<br/>The animated video shows how Leonardo introduces three successive actions in unified, harmonic manner: the leaning of the Child toward St. John (symbol of Christ|s sacrifice); the instinctive reaction of the mother who reaches out to hold him back; and St. Anne|s gesture of awareness, reminding her daughter of the Divine need for that sacrifice.'), aggiustaApici('V.6.d2'), '14067')" style="cursor:pointer; border-color:#98907d" onmouseover="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6_d_apice2r.gif', true)" onmouseout="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6_d_apice2r.gif', false)" border="1"><script>
				totIcone++;
				pathImm["img"+totIcone] = 'http://vitruvio.imss.fi.it/foto/mdl/V_6_d_apice2rs.jpg';
				didascalie[totIcone]='Harmonic actions<br/>Video animation after Leonardo da Vinci, <i>The Virgin and Child with St. Anne and St. John the Baptist</i><br/>IMSS multimedia laboratory<br/>The animated video shows how Leonardo introduces three successive actions in unified, harmonic manner: the leaning of the Child toward St. John (symbol of Christ|s sacrifice); the instinctive reaction of the mother who reaches out to hold him back; and St. Anne|s gesture of awareness, reminding her daughter of the Divine need for that sacrifice.';
				titolo[totIcone]='V.6.d2';
				chiaveImm[totIcone]='13886';
				filmato[totIcone]='14067';
			</script></pre>
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<pre><img src="images/e.gif" alt="e" width="47" height="60" align="absmiddle"><img src="http://vitruvio.imss.fi.it/foto/mdl/V_6_e_apice1r.gif" alt="V.6.e1" name="img0e" hspace="2" align="absmiddle" onclick="cambiaImg(0,'http://vitruvio.imss.fi.it/foto/mdl/V_6_e_apice1rs.jpg', aggiustaApici('Leonardo da Vinci, Royal Collection, Windsor, 19062r; K/P 155r<br/>The four chambers of the heart (the two atrial ones above, the two ventricular ones below).'), aggiustaApici('V.6.e1'), '')" style="cursor:pointer; border-color:#98907d" onmouseover="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6_e_apice1r.gif', true)" onmouseout="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6_e_apice1r.gif', false)" border="1"><script>
				totIcone++;
				pathImm["img"+totIcone] = 'http://vitruvio.imss.fi.it/foto/mdl/V_6_e_apice1rs.jpg';
				didascalie[totIcone]='Leonardo da Vinci, Royal Collection, Windsor, 19062r; K/P 155r<br/>The four chambers of the heart (the two atrial ones above, the two ventricular ones below).';
				titolo[totIcone]='V.6.e1';
				chiaveImm[totIcone]='13887';
				filmato[totIcone]='';
			</script><img src="http://vitruvio.imss.fi.it/foto/mdl/V_6_e_apice2r.gif" alt="V.6.e2" name="img1e" hspace="2" align="absmiddle" onclick="cambiaImg(1,'http://vitruvio.imss.fi.it/foto/mdl/V_6_e_apice2rs.jpg', aggiustaApici('Leonardo da Vinci, Ms. G, 1v<br/>The four chambers of the heart in operation: expansion and contraction.'), aggiustaApici('V.6.e2'), '')" style="cursor:pointer; border-color:#98907d" onmouseover="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6_e_apice2r.gif', true)" onmouseout="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6_e_apice2r.gif', false)" border="1"><script>
				totIcone++;
				pathImm["img"+totIcone] = 'http://vitruvio.imss.fi.it/foto/mdl/V_6_e_apice2rs.jpg';
				didascalie[totIcone]='Leonardo da Vinci, Ms. G, 1v<br/>The four chambers of the heart in operation: expansion and contraction.';
				titolo[totIcone]='V.6.e2';
				chiaveImm[totIcone]='13888';
				filmato[totIcone]='';
			</script></pre>
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<li class="leoanteprime">
<pre><img src="images/f.gif" alt="f" width="47" height="60" align="absmiddle"><img src="http://vitruvio.imss.fi.it/foto/mdl/V_6_f_apice1r.gif" alt="V.6.f1" name="img0f" hspace="2" align="absmiddle" onclick="cambiaImg(0,'http://vitruvio.imss.fi.it/foto/mdl/V_6_f_apice1rs.jpg', aggiustaApici('Preparatory study for the model of Leonardo|s mechanical lion<br/>Luca Garai, Bologna'), aggiustaApici('V.6.f1'), '')" style="cursor:pointer; border-color:#98907d" onmouseover="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6_f_apice1r.gif', true)" onmouseout="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6_f_apice1r.gif', false)" border="1"><script>
				totIcone++;
				pathImm["img"+totIcone] = 'http://vitruvio.imss.fi.it/foto/mdl/V_6_f_apice1rs.jpg';
				didascalie[totIcone]='Preparatory study for the model of Leonardo|s mechanical lion<br/>Luca Garai, Bologna';
				titolo[totIcone]='V.6.f1';
				chiaveImm[totIcone]='13889';
				filmato[totIcone]='';
			</script><img src="http://vitruvio.imss.fi.it/foto/mdl/V_6_f_apice2r.gif" alt="V.6.f2" name="img1f" hspace="2" align="absmiddle" onclick="cambiaImg(1,'http://vitruvio.imss.fi.it/foto/mdl/V_6_f_apice2rs.jpg', aggiustaApici('Exploded view of the mechanisms in Leonardo|s mechanical lion<br/>Luca Garai, Bologna'), aggiustaApici('V.6.f2'), '')" style="cursor:pointer; border-color:#98907d" onmouseover="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6_f_apice2r.gif', true)" onmouseout="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6_f_apice2r.gif', false)" border="1"><script>
				totIcone++;
				pathImm["img"+totIcone] = 'http://vitruvio.imss.fi.it/foto/mdl/V_6_f_apice2rs.jpg';
				didascalie[totIcone]='Exploded view of the mechanisms in Leonardo|s mechanical lion<br/>Luca Garai, Bologna';
				titolo[totIcone]='V.6.f2';
				chiaveImm[totIcone]='13890';
				filmato[totIcone]='';
			</script><img src="http://vitruvio.imss.fi.it/foto/mdl/V_6_f_apice3r.gif" alt="V.6.f3" name="img2f" hspace="2" align="absmiddle" onclick="cambiaImg(2,'http://vitruvio.imss.fi.it/foto/mdl/V_6_f_apice3rs.jpg', aggiustaApici('View of the mechanisms in Leonardo|s mechanical lion<br/>Working model based on the interpretation of Luca Garai<br/>Opera Laboratori Fiorentini'), aggiustaApici('V.6.f3'), '')" style="cursor:pointer; border-color:#98907d" onmouseover="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6_f_apice3r.gif', true)" onmouseout="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6_f_apice3r.gif', false)" border="1"><script>
				totIcone++;
				pathImm["img"+totIcone] = 'http://vitruvio.imss.fi.it/foto/mdl/V_6_f_apice3rs.jpg';
				didascalie[totIcone]='View of the mechanisms in Leonardo|s mechanical lion<br/>Working model based on the interpretation of Luca Garai<br/>Opera Laboratori Fiorentini';
				titolo[totIcone]='V.6.f3';
				chiaveImm[totIcone]='23408';
				filmato[totIcone]='';
			</script><img src="http://vitruvio.imss.fi.it/foto/mdl/V_6_f_apice4r.gif" alt="V.6.f4" name="img3f" hspace="2" align="absmiddle" onclick="cambiaImg(3,'http://vitruvio.imss.fi.it/foto/mdl/V_6_f_apice4rs.jpg', aggiustaApici('Leonardo|s mechanical lion<br/>Working model based on the interpretation of Luca Garai<br/>Opera Laboratori Fiorentini<br/>The working model represents the world|s first reconstruction of the mechanical lion commissioned of Leonardo by the Florentine community of Lyon on the occasion of the solemn entry of King Francis I into the French city. The lion performs three successive movements, commanded by a single engine. First it walks a few steps; then it sits up on its hind legs, wagging its tail; lastly, it opens a little door in its chest, from which emerges a bouquet of lilies.'), aggiustaApici('V.6.f4'), '')" style="cursor:pointer; border-color:#98907d" onmouseover="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6_f_apice4r.gif', true)" onmouseout="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6_f_apice4r.gif', false)" border="1"><script>
				totIcone++;
				pathImm["img"+totIcone] = 'http://vitruvio.imss.fi.it/foto/mdl/V_6_f_apice4rs.jpg';
				didascalie[totIcone]='Leonardo|s mechanical lion<br/>Working model based on the interpretation of Luca Garai<br/>Opera Laboratori Fiorentini<br/>The working model represents the world|s first reconstruction of the mechanical lion commissioned of Leonardo by the Florentine community of Lyon on the occasion of the solemn entry of King Francis I into the French city. The lion performs three successive movements, commanded by a single engine. First it walks a few steps; then it sits up on its hind legs, wagging its tail; lastly, it opens a little door in its chest, from which emerges a bouquet of lilies.';
				titolo[totIcone]='V.6.f4';
				chiaveImm[totIcone]='13891';
				filmato[totIcone]='';
			</script><img src="http://vitruvio.imss.fi.it/foto/mdl/V_6_f_apice5r.gif" alt="V.6.f5" name="img4f" hspace="2" align="absmiddle" onclick="cambiaImg(4,'http://vitruvio.imss.fi.it/foto/mdl/V_6_f_apice5rs.jpg', aggiustaApici('The mechanical lion<br/>Video animation of the automaton|s movements<br/>IMSS multimedia laboratory'), aggiustaApici('V.6.f5'), '14068')" style="cursor:pointer; border-color:#98907d" onmouseover="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6_f_apice5r.gif', true)" onmouseout="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6_f_apice5r.gif', false)" border="1"><script>
				totIcone++;
				pathImm["img"+totIcone] = 'http://vitruvio.imss.fi.it/foto/mdl/V_6_f_apice5rs.jpg';
				didascalie[totIcone]='The mechanical lion<br/>Video animation of the automaton|s movements<br/>IMSS multimedia laboratory';
				titolo[totIcone]='V.6.f5';
				chiaveImm[totIcone]='13892';
				filmato[totIcone]='14068';
			</script></pre>
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<pre><img src="images/g.gif" alt="g" width="47" height="60" align="absmiddle"><img src="http://vitruvio.imss.fi.it/foto/mdl/V_6_g_apice1r.gif" alt="V.6.g1" name="img0g" hspace="2" align="absmiddle" onclick="cambiaImg(0,'http://vitruvio.imss.fi.it/foto/mdl/V_6_g_apice1rs.jpg', aggiustaApici('Leonardo da Vinci, Codex Atlanticus, 1111v and 1106r<br/>Notes and drawings on the Clock of the Monastery of Chiaravalle.<br/>Leonardo was struck by the sophisticated harmonic mechanisms of the complex planetary clock in the Monastery just outside Milan, which he had the chance to inspect in person. He records, in fact, the train of movements and the system for reducing friction in the poles of rotation of the shafts.'), aggiustaApici('V.6.g1'), '')" style="cursor:pointer; border-color:#98907d" onmouseover="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6_g_apice1r.gif', true)" onmouseout="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6_g_apice1r.gif', false)" border="1"><script>
				totIcone++;
				pathImm["img"+totIcone] = 'http://vitruvio.imss.fi.it/foto/mdl/V_6_g_apice1rs.jpg';
				didascalie[totIcone]='Leonardo da Vinci, Codex Atlanticus, 1111v and 1106r<br/>Notes and drawings on the Clock of the Monastery of Chiaravalle.<br/>Leonardo was struck by the sophisticated harmonic mechanisms of the complex planetary clock in the Monastery just outside Milan, which he had the chance to inspect in person. He records, in fact, the train of movements and the system for reducing friction in the poles of rotation of the shafts.';
				titolo[totIcone]='V.6.g1';
				chiaveImm[totIcone]='13893';
				filmato[totIcone]='';
			</script><img src="http://vitruvio.imss.fi.it/foto/mdl/V_6_g_apice2r.gif" alt="V.6.g2" name="img1g" hspace="2" align="absmiddle" onclick="cambiaImg(1,'http://vitruvio.imss.fi.it/foto/mdl/V_6_g_apice2rs.jpg', aggiustaApici('The planetary clock of Chiaravalle<br/>Working model after Leonardo da Vinci, Codex Atlanticus, 1111v and 1106r<br/>Alberto Gorla, Cividale di Rivarolo Mantovano<br/>&quot;Clock on the Tower of Chiaravalle, which shows the moon, sun, hours and minutes&quot;, writes Leonardo on a folio in the Codex Atlanticus, on which he sketches a diagram of the train of movements, recording next to the wheels the number of their teeth. The reference to minutes seems to indicate the presence, at that time quite uncommon, of the minute hand.'), aggiustaApici('V.6.g2'), '')" style="cursor:pointer; border-color:#98907d" onmouseover="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6_g_apice2r.gif', true)" onmouseout="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6_g_apice2r.gif', false)" border="1"><script>
				totIcone++;
				pathImm["img"+totIcone] = 'http://vitruvio.imss.fi.it/foto/mdl/V_6_g_apice2rs.jpg';
				didascalie[totIcone]='The planetary clock of Chiaravalle<br/>Working model after Leonardo da Vinci, Codex Atlanticus, 1111v and 1106r<br/>Alberto Gorla, Cividale di Rivarolo Mantovano<br/>"Clock on the Tower of Chiaravalle, which shows the moon, sun, hours and minutes", writes Leonardo on a folio in the Codex Atlanticus, on which he sketches a diagram of the train of movements, recording next to the wheels the number of their teeth. The reference to minutes seems to indicate the presence, at that time quite uncommon, of the minute hand.';
				titolo[totIcone]='V.6.g2';
				chiaveImm[totIcone]='13894';
				filmato[totIcone]='';
			</script><img src="http://vitruvio.imss.fi.it/foto/mdl/V_6_g_apice3r.gif" alt="V.6.g3" name="img2g" hspace="2" align="absmiddle" onclick="cambiaImg(2,'http://vitruvio.imss.fi.it/foto/mdl/V_6_g_apice3rs.jpg', aggiustaApici('The planetary clock of Chiaravalle<br/>Video animation showing the operation of the model<br/>IMSS multimedia laboratory'), aggiustaApici('V.6.g3'), '14069')" style="cursor:pointer; border-color:#98907d" onmouseover="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6_g_apice3r.gif', true)" onmouseout="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6_g_apice3r.gif', false)" border="1"><script>
				totIcone++;
				pathImm["img"+totIcone] = 'http://vitruvio.imss.fi.it/foto/mdl/V_6_g_apice3rs.jpg';
				didascalie[totIcone]='The planetary clock of Chiaravalle<br/>Video animation showing the operation of the model<br/>IMSS multimedia laboratory';
				titolo[totIcone]='V.6.g3';
				chiaveImm[totIcone]='13895';
				filmato[totIcone]='14069';
			</script></pre>
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<pre><img src="images/h.gif" alt="h" width="47" height="60" align="absmiddle"><img src="http://vitruvio.imss.fi.it/foto/mdl/V_6_h_apice1r.gif" alt="V.6.h1" name="img0h" hspace="2" align="absmiddle" onclick="cambiaImg(0,'http://vitruvio.imss.fi.it/foto/mdl/V_6_h_apice1rs.jpg', aggiustaApici('Carlo Urbino da Crema, Codex Huygens, 14'), aggiustaApici('V.6.h1'), '')" style="cursor:pointer; border-color:#98907d" onmouseover="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6_h_apice1r.gif', true)" onmouseout="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6_h_apice1r.gif', false)" border="1"><script>
				totIcone++;
				pathImm["img"+totIcone] = 'http://vitruvio.imss.fi.it/foto/mdl/V_6_h_apice1rs.jpg';
				didascalie[totIcone]='Carlo Urbino da Crema, Codex Huygens, 14';
				titolo[totIcone]='V.6.h1';
				chiaveImm[totIcone]='13896';
				filmato[totIcone]='';
			</script><img src="http://vitruvio.imss.fi.it/foto/mdl/V_6_h_apice2r.gif" alt="V.6.h2" name="img1h" hspace="2" align="absmiddle" onclick="cambiaImg(1,'http://vitruvio.imss.fi.it/foto/mdl/V_6_h_apice2rs.jpg', aggiustaApici('Harmony in the motions of man<br/>Video animation after Carlo Urbino da Crema, Codex Huygens and Claudius Ptolemy, Almagesto<br/>IMSS multimedia laboratory<br/>The illustrations of the motions of man in the Codex Huygens derive from originals by Leonardo, now lost in part. They describe the movements of the trunk, arms and legs according to arcs of a circle traced by centering on the points of articulation. Drawn in several sequential poses, foreshadowing the techniques of animated cartoons, the images show the entire course of an action.<br/>The figures in the Codex Huygens are specular to the kinetic motion of the planets in the Ptolemaic system; as such, they illustrate Leonardo|s concept of a close similarity existing between the macrocosm (universe) and the microcosm (man).'), aggiustaApici('V.6.h2'), '14070')" style="cursor:pointer; border-color:#98907d" onmouseover="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6_h_apice2r.gif', true)" onmouseout="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6_h_apice2r.gif', false)" border="1"><script>
				totIcone++;
				pathImm["img"+totIcone] = 'http://vitruvio.imss.fi.it/foto/mdl/V_6_h_apice2rs.jpg';
				didascalie[totIcone]='Harmony in the motions of man<br/>Video animation after Carlo Urbino da Crema, Codex Huygens and Claudius Ptolemy, Almagesto<br/>IMSS multimedia laboratory<br/>The illustrations of the motions of man in the Codex Huygens derive from originals by Leonardo, now lost in part. They describe the movements of the trunk, arms and legs according to arcs of a circle traced by centering on the points of articulation. Drawn in several sequential poses, foreshadowing the techniques of animated cartoons, the images show the entire course of an action.<br/>The figures in the Codex Huygens are specular to the kinetic motion of the planets in the Ptolemaic system; as such, they illustrate Leonardo|s concept of a close similarity existing between the macrocosm (universe) and the microcosm (man).';
				titolo[totIcone]='V.6.h2';
				chiaveImm[totIcone]='13897';
				filmato[totIcone]='14070';
			</script></pre>
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</div>
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<pre><img src="images/i.gif" alt="i" width="47" height="60" align="absmiddle"><img src="http://vitruvio.imss.fi.it/foto/mdl/V_6_ir.gif" alt="V.6.i" name="img0i" hspace="2" align="absmiddle" onclick="cambiaImg(0,'http://vitruvio.imss.fi.it/foto/mdl/V_6_irs.jpg', aggiustaApici('Water organ<br/>Working model after Leonardo da Vinci, Ms. L, 78r and Madrid Ms. II, 55r<br/>Pier Luigi Foschi, Rimini, with the collaboration of L. Ricci and M. Iriti<br/>At Rimini Leonardo was struck by the joyous sound of the water spouts in the Pigna fountain: &quot;A harmony is generated by water falling from different pipes, as you saw in the fountain at Rimini, 8 August 1502.&quot; From this sprang the idea of a water organ in which it is the water itself that plays, falling into &quot;clay vessels&quot; (replaced in the model by copper organ-pipes).'), aggiustaApici('V.6.i'), '')" style="cursor:pointer; border-color:#98907d" onmouseover="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6_ir.gif', true)" onmouseout="cambiaBordo('http://vitruvio.imss.fi.it/foto/mdl/V_6_ir.gif', false)" border="1"><script>
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				didascalie[totIcone]='Water organ<br/>Working model after Leonardo da Vinci, Ms. L, 78r and Madrid Ms. II, 55r<br/>Pier Luigi Foschi, Rimini, with the collaboration of L. Ricci and M. Iriti<br/>At Rimini Leonardo was struck by the joyous sound of the water spouts in the Pigna fountain: "A harmony is generated by water falling from different pipes, as you saw in the fountain at Rimini, 8 August 1502." From this sprang the idea of a water organ in which it is the water itself that plays, falling into "clay vessels" (replaced in the model by copper organ-pipes).';
				titolo[totIcone]='V.6.i';
				chiaveImm[totIcone]='13898';
				filmato[totIcone]='';
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