IMSS - Models



Models

	[II. The Face of the Genius]

			II.b.2 - "Exploded" view of a skull
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	[III. In Leonardo's Studio]

			III.2.a2 - Oil table lamp
			III.2.g2 - Compass for drawing ellipses
			III.2.h2 - Compass for drawing parabolas
			III.2.i2 - Compass for drawing epicycloids
			III.2.l - Three metal styli for drawing
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	[IV. The grammar of forms: proportion and analogy]

			IV.2.d2 - Compound balance
			IV.2.e4 - Human figure standing with center of gravity shown
			IV.2.l2 - Cardanic pole
			IV.3A.a2 - Spiral-form mazzocchio
			IV.3A.c5 - Transformation of a dodecahedron into a cube having the same volume
			IV.3A.d2 - Rosette pattern
			IV.3B.b5 - Ornithopter (man-bird)
			IV.4A.a2 - Centrally planned church
			IV.4A.b2 - The skull as seat of the soul
			IV.4A.c2 - Flying ship
			IV.4D.e2 - Thrust bearing
			IV.5C.a1 - Clay model for casting the horse for the Sforza monument
			IV.5C.a2 - Casting mold for the legs
			IV.5C.h - Outer mold divided into two halves and casting core
			IV.5C.i2 - Casting mold of the head and neck
			IV.5C.j2 - Casting mold for the tail
			IV.5D.b2 - Machine for transporting the mold sections and positioning them in the casting pit
			IV.5E.o - Forelegs of the Sforza horse
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	[V. Motion: the universal agent]

			V.2.b2 - Two equal cross-bows under different loads
			V.2.k2 - Cords of equal section with weights applied in proportion to length
			V.2.l2 - Monochord
			V.4.f - Flying machine driven by the force of man
			V.6.f3 - View of the mechanisms in Leonardo's mechanical lion
			V.6.f4 - Leonardo's mechanical lion
			V.6.g2 - The planetary clock of Chiaravalle
			V.6.i - Water organ
			V.8B.e2 - The Apostle Judas
			V.8B.f - The Apostle Peter
			V.8B.h3 - The Apostle Simon
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	[VI. The Science of Painting]

			VI.1.a3 - Leonardo's eye
			VI.1.b3 - Reflection of rays of light in a concave mirror
			VI.1.d4 - Camera oscura with spherical lens
			VI.1.e3 - Perspective projection of a colossus onto curved and angular walls
			VI.1.e4 - Perspective projection of a colossus onto curved and angular walls
			VI.1.f2 - Perspectograph
			VI.2.c2 - Transparent view
			VI.3.f2 - Oil-lamp for "sfumato"
			VI.3.g2 - Shadows cast by a sphere lit by two light sources of different color
			VI.3.h2 - Colored reflections on flesh
			VI.4.c - The density of the air
			VI.5B.a1 - Andrea del Verrocchio, Dama col Mazzolino
			VI.5B.b5 - Organ with paper organ-pipes
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