The trial (1633) - Gallery

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Photo: Scientific Itineraries in Tuscany

The trial (1633)

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An elderly prisoner, probably Galileo Galilei. Watercolor drawing by François Marius Granet, 19th cent. (Musée des Beaux-Arts, Rennes)

An elderly prisoner, probably Galileo Galilei. Watercolor drawing by François Marius Granet, 19th cent. (Musée des Beaux-Arts, Rennes)

Musée des Beaux-Arts, Rennes

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Galileo Galilei before the Tribunal of the Inquisition. Oil on canvas by Niccolò Barabino, 1888. Reduced replica of the fresco at Palazzo Celesia in Genoa (Private collection, Genova).

Galileo Galilei before the Holy Office. Oil on canvas by Joseph Nicolas Robert-Fleury, 1847 (Musée du Louvre, Paris).

An elderly prisoner, probably Galileo Galilei. Watercolor drawing by François Marius Granet, 19th cent. (Musée des Beaux-Arts, Rennes)

Galileo in prison. Painted by Bartholomé Esteban Murillo, 17th cent. Present location of the work unknown.

Frontispiece of the Index of Banned Books, 1664 edition, containing the ban on Galileo's Dialogo and the readmission of Copernicus after being corrected (Index librorum prohibitorum Alexandri VII pontificis maximi iussu editus, Romae, ex typographia Reverendae Camerae Apostolicae, 1664).

Pag. 1 di 1

Last update 19/feb/2008

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Galileo Galilei before the Tribunal of the Inquisition. Oil on canvas by Niccolò Barabino, 1888. Reduced replica of the fresco at Palazzo Celesia in Genoa (Private collection, Genova).

Galileo Galilei before the Holy Office. Oil on canvas by Joseph Nicolas Robert-Fleury, 1847 (Musée du Louvre, Paris).

An elderly prisoner, probably Galileo Galilei. Watercolor drawing by François Marius Granet, 19th cent. (Musée des Beaux-Arts, Rennes)

Galileo in prison. Painted by Bartholomé Esteban Murillo, 17th cent. Present location of the work unknown.

Frontispiece of the Index of Banned Books, 1664 edition, containing the ban on Galileo's Dialogo and the readmission of Copernicus after being corrected (Index librorum prohibitorum Alexandri VII pontificis maximi iussu editus, Romae, ex typographia Reverendae Camerae Apostolicae, 1664).