Irate theologians (1632-1633)

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Photo: Scientific Itineraries in Tuscany

Irate theologians (1632-1633)

Portrait of Giovanni Ciampoli (from Giovanni Ciampoli, Lettere, Firenze, nella Stamperia di Amador Massi, 1650).

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Portrait of Galileo Galilei. Oil on canvas by Justus Suttermans, 1636.

Giovambattista Landini's emblem on the frontispiece of the Dialogo with three fishes and the motto grandior ut proles.

Statue of Urban VIII by Gian Lorenzo Bernini, 1635-1640 ca. (Palazzo dei Conservatori, Roma, Aula maggiore o Sala degli Orazi e Curiazi).

Portrait of Galileo Galilei. Oil on canvas attributed to Domenico Passignano.

Christoph Scheiner, Rosa Ursina, sive Sol ex admirando facularum et macularum suarum phoenomenon varius, necnon circa centrum suum et axem fixum ab occasu in ortum annua circaque alium axem mobilem ab ortu in occasum conversione quasi menstrua, super polos proprios libris quatuor mobilis ostensus, Bracciani, apud Andream Phaeum..., impressio coepta anno 1626, finita vero 1630 - Frontispiece.

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Last update 19/feb/2008

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Portrait of Galileo Galilei. Oil on canvas by Justus Suttermans, 1636.

Portrait of Giovanni Ciampoli (from Giovanni Ciampoli, Lettere, Firenze, nella Stamperia di Amador Massi, 1650).

Giovambattista Landini's emblem on the frontispiece of the Dialogo with three fishes and the motto grandior ut proles.

Statue of Urban VIII by Gian Lorenzo Bernini, 1635-1640 ca. (Palazzo dei Conservatori, Roma, Aula maggiore o Sala degli Orazi e Curiazi).

Portrait of Galileo Galilei. Oil on canvas attributed to Domenico Passignano.

Christoph Scheiner, Rosa Ursina, sive Sol ex admirando facularum et macularum suarum phoenomenon varius, necnon circa centrum suum et axem fixum ab occasu in ortum annua circaque alium axem mobilem ab ortu in occasum conversione quasi menstrua, super polos proprios libris quatuor mobilis ostensus, Bracciani, apud Andream Phaeum..., impressio coepta anno 1626, finita vero 1630 - Frontispiece.